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toybox heart, art by travo-lotus. What do you choose from there?

“You Turn” art by Yanni Flores. Charcoal on paper.

So how good are you at the art of fellatio? Did you notice that I said the art, and that is exactly what fellatio is- an art form. Surprisingly only 10% of women know how to give really good fellatio, so take the time to read my fellatio tips and techniques so you can join that elite group of women.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

Judy enjoys her first double penetration, explicite art at it´s best.

lychees:(via Hegre Art)

Year Of The Rabbit. Cute art by shy-attitudes

Model-turned multi-disciplinary artist Myla DalBesio [..] turned heads when she blurred the lines between performance art and pornography with her controversial Young Money piece at Ramis Barquet Gallery last summer. As part of the Glutton for Punishment show, a topless DalBesio gyrated seductively on the floor, rolling around in dollar bills to the tune of Lil’ Wayne’s Young Money, as an LED screen flashed corresponding cash messages. Willing audience members were treated to a lapdance by the artist, who poured champagne on herself and her participants’ crotches. DalBesio said this act reversed the role of subject-and-object, transforming the dancer into a figure of power. For her finale, the artist incorporated Evangelical Christianity's “faith healing”, thumbing the sign of the cross on participants’ foreheads. She says Young Money “confronts questions of our own morality and desires, and what drives us to act on them. I’m often aiming to expose people to parts of themselves that they may never have acknowledged before.” Text: http://www.mutualart.com/OpenArticle/Performance-Art-Pushes-the-Envelope---bu... Photos: http://www.myladalbesio.com/index.php?/performance/young-money/ Permalink | Leave a comment  »

Illustration for “All These Condemned” by Robert McGinnis. His art is a.m.a.z.i.n.g.(via McClaverty)

janeminou:(via x-art.com ~ beautiful erotica.)

One of the "20 unique life-sized plaster human sculptures". "This exhibition is a monumental installation made of two labyrinths. The first is in the Cretan fashion with a one-way path leading to the core where there is a video projection. The second is a deconstructed labyrinth with a path through iron blocks with 20 unique life-sized plaster human sculptures, each about 1.6 meters in height, positioned along the way" LONDON.- On January 11 the Corfu-based artist, Eva Caridi, opened her first solo show in London, at Ambika P3, University of Westminster. This exhibition is a monumental installation made of two labyrinths. The first is in the Cretan fashion with a one-way path leading to the core where there is a video projection. The second is a deconstructed labyrinth with a path through iron blocks with 20 unique life-sized plaster human sculptures, each about 1.6 meters in height, positioned along the way. The installation stages a representation of time as a human condition. There are no dead ends, no illusions, but only constant walking ahead in one direction. The visitor proceeds through the corridor surrounded by iron walls, and sound flows from the labyrinth’s depths compelling one to continue the journey. The path culminates in the artwork’s core: a space in between walls that hosts a video installation depicting females in their three stages of life: girl, woman and elderly lady. During the course of our life we tend to lose connections with the child part of ourselves and memories are locked in the secret alleys of our soul. The second room features a deconstructed labyrinth filled with nude human sculptures frozen in multiple body positions. The artist says that the plaster sculptures resemble the fragility of human nature when it comes up against the impenetrable iron walls of the labyrinth, which in this case symbolizes the world and reality that we live in . Ms Caridi is intimately involved with her creations, and she tries to establish a bond with the public. Plaster and iron are the means to a sensorial experience and their molding quality makes into almost living beings that speak to us. Ms Caridi’s monumental interactive installation unwinds over a floor surface of around 14,000 square feet, and the walking distance is about 75 meters from the entrance to the central area. The walls are about 2.4 meters high, and the labyrinth uses about 11 tons of steel. It is made by S & W Limited, based in the Midlands, and will take about five days to install. “The labyrinth is used as a symbol to represent a threedimensional feeling, to concretise feelings. It forces you into a pilgrimage, a journey through time. People lose track of direction and of the outside world, ascending towards a personal state of mind. Despite feeling confused and lost, one finds the way to the end which is, in fact, just the beginning. ” Eva Caridi Eva Caridi is a Greek–English artist who lives and works between the UK and the island of Corfu in Greece. She was educated and trained in Paris where she graduated from the Academy Julienne. Since 1997, she has exhibited her works in the art world’s most prominent cities – Paris, New York, and San-Paolo. She has participated in and won awards at prestigious shows such as the Cairo, Florence and Alexandria Biennales. http://www.artdaily.org/index.asp?int_sec=2&int_new=53012 Permalink | Leave a comment  »

Illustrations of mothers and their babies underwater are among works of art displayed in a new exhibition of the work of Quentin Blake at the Foundling Museum in Holborn, London. Included in the exhibition is Quentin Blake's biggest project 'Mothers and Babies Underwater' commissioned by the maternity unit of the Centre Hospitalier Universitaire in Angers, France. Each of the 11 delivery suites will be animated by drawings by Blake based on the theme of the mother meeting her new baby. http://www.telegraph.co.uk/culture/culturepicturegalleries/9010454/Quentin-Bl... http://www.foundlingmuseum.org.uk/events/view/quentin-blake-as-large-as-life/ Permalink | Leave a comment  »

I have in my hand a curious book called The Stimulators: Swinging Set’s Newest Rage, by Roger Blake, Ph.D. Published in 1968 by Century Books (CB 052), it has semi-abstract cover art medallions (groovy!) and purports to reveal “how sex gadgets of every type are now being peddled openly…and how they are used!” Psuedo-interviews and [...]