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so.playfullxx has added a photo to the pool:squeezing the sole of his pump with one hand and playing with something else of his at the same time..mmm^^ xx hope you like and would love to know what you think and do to them xxxxx

Phil Rocket: This is an image I made for a promotional calendar for a friends Pontiac restoration/high performance parts business. It was done on very short notice yet was one of my favorite images of that year. The larger 2010 calendar version is on his site…. I of course prefer it without the calendar.

edward olive edwardolive has added a photo to the pool:Edward OliveNot just a local wedding photographer. No solo un fotógrafo de boda de puebloAugust 2010Agfa rsx slide xpro. The lovely Arison Say again. Shot in this young lady's gym. f22 at sunset. i love medium format xpro it gives such violent lighting and mood. i also love models who can take directions from someone who just kind of says "I want" and kind contorts himself a lot. She seemed to understand me better than I did.I like ladies who wear camouflage underwear, its kind of warlike. easier than getting blown up by landmines like Capa or squashed by tanks like his wife. in any event my war photos would be more like russ meyer's war films. File: img564v2-27-08-10www.edwardolive.info/info@edwardolive.com

playfullness xx has added a photo to the pool:working my way down his sexy legs to his socks and then slowly moving onto his cute little pumps...^^!!xx would love to know what youd do to them xx

This one’s for… hell, I’m not quite sure who it is for. It’s a buff young man getting his ass whaled, somebody out there must be looking for this because it’s a prolific porn genre of which this is a better-than-average vintage exemplar: Via. View this post in its original location at ErosBlog: The Sex [...]

It will probably surprise no one that I am a great admirer of work of Roger Corman, the exploitation cinema genius whose work I’ve celebrated at my other home. So it’s a special moment for me when new editions of some of his cult classics are published. And what do I watch first, once Humanoids [...]

DarkClaÜ posted a photo: story of ''THE CURSE OF THE BEAST''In a society dominated by men, Terese, a young writer works hard to get noticed. An old friend, Adele, invites her to spend some days in the luxurious castle of a rich handsome young man (Vincent). In this place a lot of parties are celebrated and Adele believes that Terese, knowing important people ,will get help to publish her books.A wave of murders shakes the castle, the murders happen at night and the victims are the rest of the beautiful women who were invited as Adele.The mysterious and rich Vicent seems to be the murderer. Terese will have to face his fears and the terrible assassin who stalks her.

DarkClaÜ posted a photo: story of ''THE CURSE OF THE BEAST''In a society dominated by men, Terese, a young writer works hard to get noticed. An old friend, Adele, invites her to spend some days in the luxurious castle of a rich handsome young man (Vincent). In this place a lot of parties are celebrated and Adele believes that Terese, knowing important people ,will get help to publish her books.A wave of murders shakes the castle, the murders happen at night and the victims are the rest of the beautiful women who were invited as Adele.The mysterious and rich Vicent seems to be the murderer. Terese will have to face his fears and the terrible assassin who stalks her.

Erwin Von Himmel has added a photo to the pool:I am the passenger and I ride and I rideI am the passenger and I ride and I rideI ride through the city's backsidesI see the stars come out of the skyYeah, the bright and hollow skyYou know it looks so good tonightI am the passengerI stay under glassI look through my window so brightI see the stars come out tonightI see the bright and hollow skyOver the city's ripped backsidesAnd everything looks good tonightSinging la la la la la.. lala la la, la la la la.. lala la la etcGet into the carWe'll be the passengerWe'll ride through the city tonightWe'll see the city's ripped backsidesWe'll see the bright and hollow skyWe'll see the stars that shine so brightStars made for us tonightOh, the passengerHow, how he ridesOh, the passengerHe rides and he ridesHe looks through his windowWhat does he see?He sees the sign and hollow skyHe sees the stars come out tonightHe sees the city's ripped backsidesHe sees the winding ocean driveAnd everything was made for you and meAll of it was made for you and me'Cause it just belongs to you and meSo let's take a ride and see what's mineSinging la la la la.. lala la la [x3]Oh the passengerHe rides and he ridesHe sees things from under glassHe looks through his window sideHe sees the things that he knows are hisHe sees the bright and hollow skyHe sees the city sleep at nightHe sees the stars are out tonightAnd all of it is yours and mineAnd all of it is yours and mineSo let's ride and ride and ride and rideOh, oh, Singing la la la la lalalala

4davidspictures posted a photo: My thanks to monkey6880 who has allowed me to work on his superb original image. The original can be found at www.flickr.com/photos/27476570@N08/

There’s a cliched pickup line dating back at least to the Victorian age. A certain sort of London rakehell might invite a certain sort of “lady” back to his rooms to “view his etchings” — by which he meant his collection of expensive erotic prints, purchased at great cost from a certain importer of [...]

jaeda-dewalt-artography posted a photo: The Avian Dream is a self-portrait created by photographic artist, Jaeda DeWalt and is a part of the DeWalt Gallery collection. Hair, make-up, wardrobe and styling, also created by Jaeda DeWalt.About this image:The Dove on my shoulder is the newest member of my family :). My beautiful Birdie Boy. He literally flew into my apartment a month ago. He was determined to stay. My attempts to relocate him failed as he kept finding his way back to me. Fortunately, the vet gave him a clean bill of health. I adore this little guy, he has my heart.He has a strong personality and is very stubborn but he is also a little lovie. He makes me laugh everyday. He loves to perch on me and always wants to be as close to me as he can get. He also loves balancing on one foot. He has introduced me to the wonderful world of birds.The sky featured in this image was taken one enchanted evening as the sun was setting, on my balcony. I loved the gold and blue hues, grabbed my camera and snapped away as the beautifully ominous clouds slowly stretched out before me.This print is available via Redbubble, direct link can be found here:www.redbubble.com/products/configure/22237170

As I explained the last time, Eric Stanton’s Lady Prinkers in his Stantoon series were “sexually-aggressive Amazon types endowed with very large penises and a predatory desire to plunder the orifices of puny guys”. Here’s a typical set of examples from Stantoons 40:View this post in its original location at ErosBlog: The Sex Blog.If [...]

Sol Lang has added a photo to the pool:I.N.V.I.T.A.T.I.O.Nsol lang..|..photographsparticipating in a group exhibitionvernissage: saturday, november 11, 2006 | 2pmshow will be on november 9 - december 10, 2006LocationArts Sutton Gallery |7 academy road | sutton, qc, j0e 2k0 | 450-538-2563opening hours: thursday to sunday from 11:00 to 5:00Sol Lang – photographer.He has become known for his country landscapes, intimate rural scenes and controversial social and environmental subjects. Now is showing his versatility and mastery of the medium with this new glamour/erotic work. Two in the series will be on view.To see more of my work, behind the scenes video sessions and other info about me, please visit my site, sollang.com.

Portraits of Scarlett has added a photo to the pool:We picked up some new shoes for Scarlett last Thursday, which of course meant we had to snap some photos of her modeling them. :-) Mirror ended up being more of an annoyance in his shoot than the creative addition it was in the last, but I still liked the way these turned out.We'll be posting 2 or 3 of these a day over the coming week, and more than a hundred more are now up on our site.

Portraits of Scarlett has added a photo to the pool:We picked up some new shoes for Scarlett last Thursday, which of course meant we had to snap some photos of her modeling them. :-) Mirror ended up being more of an annoyance in his shoot than the creative addition it was in the last, but I still liked the way these turned out.We'll be posting 2 or 3 of these a day over the coming week, and more than a hundred more are now up on our site.

Ferenc Berko: Bombay, 1941Vintage gelatin silver print, 11 7/8 x 9 13/16 inchesFerenc Berkó (1916-2000) is part of long tradition of Hungarian émigré photographers, which includes Brassaï, Robert Capa, André Kertész, László Moholy-Nagy and Martin Munkásci. Influenced by some of the great Bauhaus teachers at a young age, Berko explored numerous genres and various styles. Within every period of his career, his work was concurrent with the artistic developments of the time. This is the first exhibition from Berko’s estate and is a partial survey of his black and white work from the 1930s through the early 1950s. Subsequent shows will highlight his innovations in color and his deep interest in nature.Ferenc Berko was born to a Jewish family in Hungary in 1916. Following his mother’s death in 1921, Berko moved with his father and his sister to Dresden, Germany. At the age of twelve, with his father’s health deteriorating, Berko was adopted by a family in Berlin. His foster parents gave Berko his first camera and encouraged his creative pursuits. His foster mother, in particular, was a patron of the arts and many well respected modernist figures at the time, like Walter Gropius, Marcel Breuer, and László Moholy-Nagy, would often visit their home. Berko was especially influenced by Moholy-Nagy, who became a friend and mentor.In 1933, with the growth of anti-Semitism in Germany, Berko was sent to England to finish his studies in philosophy. While in London, he became active in the photography and film circles and met Emil Otto Hoppé, who became a mentor. Following school, Berko moved to Paris where he continued to collaborate with his wife Mirte on a series of nude photographs. In 1937 he made a trip back to Hungary and photographed Jews in Budapest. In 1938, with Nazi influence on the rise, Berko moved to India to become a filmmaker. Beyond learning cinematography, he experimented with the photographic process, creating photograms as well as prints with multiple negatives, while at the same time continuing his passion for investigating the world through an eye for beauty and form.Moholy-Nagy invited Berko to teach photography and film at the New Bauhaus, the Institute of Design in Chicago. Unfortunately, Moholy-Nagy died just before Berko arrived in 1947. Berko’s work in Chicago focused on the abstraction of the urban landscape, continuing his interest in modernism, while developing work that had a direct dialogue with the current developments of Abstract Expressionism.In 1948, the Berkos’ close friend in Chicago, Walter Paepcke, an industrialist and patron of the Institute of Design, invited them to visit Aspen in hopes they would make it home. Initially, the Berkos turned down the offer and returned to London in hopes of regaining their former life. Dismayed with post war London, Berko moved to Aspen in 1949 as the official photographer for the Goethe Bicentennial and then the Aspen Institute and Aspen Music Festival and School. In Aspen, Berko’s visual and intellectual palettes were nourished; he had finally found a place where he felt both respected and inspired.Berko’s work has been collected by the Bibliothèque Nationale, Paris; Center for Creative Photography, Tucson; International Center of Photography, New York; Musée d’Elysée, Lausanne; Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and Museum Ludwig, Cologne. Near the end of his life, “60 Years of Photography: The Discovering Eye” (Edition Stemmle, 1995) and “Berko: Photographs” (Graphis, 1999) were published.Gitterman Gallery170 East 75th Street10021 New York, NYwww.gittermangallery.comSource. Permalink | Leave a comment  »

Kishin Shinoyama - VIRGIN LISA254*2031970Gelatin Silver PrintBorn in 1940, Tokyo, Japan. Photographer.Beginning his career while studying in department of photography in Nippon University, he won the Advertising Photographer’s Assosiation Award and other prizes.After working in the advertising company; Light Publisity, he started to work as a freelance photographer from 1968. His work is renowned for taking portraits of the most recognized people of our time such as, Momoe Yamaguchi, John Lennon&Yoko Ono and Rie Miyazawa.　In his “Gekisha” and “Shinorama” pieces, he keeps capturing the time with new modes of expression and new technologies. With his recent multi-media project; digi+KISHIN, all done digitally, he brings a new perspective to the both fields of photography and motion picture.Source Permalink | Leave a comment  »

Ferenc Berko: Bombay, 1941Vintage gelatin silver print, 11 7/8 x 9 13/16 inchesFerenc Berkó (1916-2000) is part of long tradition of Hungarian émigré photographers, which includes Brassaï, Robert Capa, André Kertész, László Moholy-Nagy and Martin Munkásci. Influenced by some of the great Bauhaus teachers at a young age, Berko explored numerous genres and various styles. Within every period of his career, his work was concurrent with the artistic developments of the time. This is the first exhibition from Berko’s estate and is a partial survey of his black and white work from the 1930s through the early 1950s. Subsequent shows will highlight his innovations in color and his deep interest in nature.Ferenc Berko was born to a Jewish family in Hungary in 1916. Following his mother’s death in 1921, Berko moved with his father and his sister to Dresden, Germany. At the age of twelve, with his father’s health deteriorating, Berko was adopted by a family in Berlin. His foster parents gave Berko his first camera and encouraged his creative pursuits. His foster mother, in particular, was a patron of the arts and many well respected modernist figures at the time, like Walter Gropius, Marcel Breuer, and László Moholy-Nagy, would often visit their home. Berko was especially influenced by Moholy-Nagy, who became a friend and mentor.In 1933, with the growth of anti-Semitism in Germany, Berko was sent to England to finish his studies in philosophy. While in London, he became active in the photography and film circles and met Emil Otto Hoppé, who became a mentor. Following school, Berko moved to Paris where he continued to collaborate with his wife Mirte on a series of nude photographs. In 1937 he made a trip back to Hungary and photographed Jews in Budapest. In 1938, with Nazi influence on the rise, Berko moved to India to become a filmmaker. Beyond learning cinematography, he experimented with the photographic process, creating photograms as well as prints with multiple negatives, while at the same time continuing his passion for investigating the world through an eye for beauty and form.Moholy-Nagy invited Berko to teach photography and film at the New Bauhaus, the Institute of Design in Chicago. Unfortunately, Moholy-Nagy died just before Berko arrived in 1947. Berko’s work in Chicago focused on the abstraction of the urban landscape, continuing his interest in modernism, while developing work that had a direct dialogue with the current developments of Abstract Expressionism.In 1948, the Berkos’ close friend in Chicago, Walter Paepcke, an industrialist and patron of the Institute of Design, invited them to visit Aspen in hopes they would make it home. Initially, the Berkos turned down the offer and returned to London in hopes of regaining their former life. Dismayed with post war London, Berko moved to Aspen in 1949 as the official photographer for the Goethe Bicentennial and then the Aspen Institute and Aspen Music Festival and School. In Aspen, Berko’s visual and intellectual palettes were nourished; he had finally found a place where he felt both respected and inspired.Berko’s work has been collected by the Bibliothèque Nationale, Paris; Center for Creative Photography, Tucson; International Center of Photography, New York; Musée d’Elysée, Lausanne; Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and Museum Ludwig, Cologne. Near the end of his life, “60 Years of Photography: The Discovering Eye” (Edition Stemmle, 1995) and “Berko: Photographs” (Graphis, 1999) were published.Gitterman Gallery170 East 75th Street10021 New York, NYwww.gittermangallery.comSource. Permalink | Leave a comment  »

Kishin Shinoyama - VIRGIN LISA254*2031970Gelatin Silver PrintBorn in 1940, Tokyo, Japan. Photographer.Beginning his career while studying in department of photography in Nippon University, he won the Advertising Photographer’s Assosiation Award and other prizes.After working in the advertising company; Light Publisity, he started to work as a freelance photographer from 1968. His work is renowned for taking portraits of the most recognized people of our time such as, Momoe Yamaguchi, John Lennon&Yoko Ono and Rie Miyazawa.　In his “Gekisha” and “Shinorama” pieces, he keeps capturing the time with new modes of expression and new technologies. With his recent multi-media project; digi+KISHIN, all done digitally, he brings a new perspective to the both fields of photography and motion picture.Source Permalink | Leave a comment  »

♥ Galarina de Dali has added a photo to the pool:I heard he sang a good songI heard he had a styleAnd so I came to see himTo listen for a whileAnd there he was this young boyA stranger to my eyesStrumming my pain with his fingersSinging my life with his wordsKilling me softly with his songKilling me softly with his songTelling my whole life with his wordsKilling me softly with his songI felt all flushed with feverEmbarassed by the crowdI felt he found my lettersAnd read each one out loudI prayed that he would finishBut he just kept right onStrumming my pain with his fingersSinging my life with his wordsKilling me softly with his songKilling me softly with his songTelling my whole life with his wordsKilling me softly with his songHe sang as if he knew meIn all my dark despairAnd then he looked right through meAs if I wasn't thereAnd he just kept on singingSinging clear and strong~ Roberta Flack

Can you imagine the sack of shit who gets a fine ol’ rubbery one upon seeing Frankenstein’s monster here? I imagine he looks like Larry the Cable Guy and stepping into his mind sounds like a junkyard dog barking at a clothes dryer full of quarters.: from the archives

kroppslotion.com has added a photo to the pool:Filonzana is a gruesome Sardinian mask.Thanks to Giuseppe Spanu for his collaboration.

Raluca_Mocrei has added a photo to the pool:His. fine art erotica, soon on mocrei.com

I took two semesters of photography at the local community college during the summers following my Sophomore and Junior years of high school. I was too much of an AP nerd to enroll in an art class during the regular academic calendar. (Yes, it was a very long time before I ever touched a boob.)Gene was my teacher both terms. He was in his early seventies, infectiously spry and a bit long winded. Bright white hair, parted to the side, and a huge matching moustache. He taught photography at the high school for almost four decades and only managed to stay retired for two years before picking things back up to escape his wife. He obviously enjoyed the increased freedom that ‘higher education’ afforded teacher and student alike.“I only have one rule,” he explained to us on the first day. “If you take a picture of your cat and try to develop it in my fucking darkroom, I swear to God I will fail you.”(from the archives)